How to Combat “The Likeability Trap” at Work

Do you worry about whether you’re likeable? Although we’re all conditioned to say that we don’t care about what other people think of us, the truth is that most of us will wonder about this at some point or another. Especially when thinking about our work relationships which are so closely tied to our careers and livelihoods. Of course, we all want to be liked, but at what cost?

This topic is explored in the episode of Life Kit, “What ‘Likeability’ Really Means in The Workplace.” Special guest Alicia Menendez, author of The Likeability Trap: How to Break Free and Succeed As You Are, gets into all the ways that worrying about likeability holds us back. Whether someone likes you or not is highly subjective, and oftentimes has nothing to do with you and everything to do with that person’s experiences and worldview. She explains, “Likeability is a moving target; an invisible scorecard that we internalize but that those around us actually fill out.”

This is particularly a problem for women since we’re socialized at a young age to be agreeable and accommodating. We’re taught to think of ourselves in relation to others which can be a double-edged sword. On the one hand, we’re attuned to people’s needs and emotions, but on the other hand, this can be a problem when we start to feel governed by the needs of others. We can’t be our authentic selves if we’re constantly trying to ascertain how to be amiable towards others.

Many of us have gone to great lengths to be likeable, maybe even unconsciously. Menendez mentions altering her behavior or appearance in order to be liked. This can manifest in a number of ways, including dressing a certain way, subduing your hair/makeup, silencing yourself, subduing your personality, or avoiding your native language. Many people of color and women of color are familiar with the tapdancing that comes with trying to mold yourself to fit a workplace that is predominantly white and oblivious to other cultures.

This is more than an internal feeling, it can also affect real-world success. Menendez explains that any time a woman advocates for herself in the workplace, she has to stop and ask herself if what she’s getting is worth the potential tradeoff in likeability. If you’re a woman from a marginalized community, those feelings are even more amplified. It’s about who is seen as a person on their way to success.

Likeability can also be used as a catch-all for other biases. For example, the commonly held stereotype that Latinas are humble could lead an executive to determine that you’re not leadership material. Or when a Black woman is labeled as “aggressive” when the same behavior from a white man is labeled as passionate (think Serena Williams vs. John McEnroe, for example). Menendez calls this the “Goldilocks Conundrum.” Women are either too hot or too cold. They’re seen as not having what it takes to succeed, or on the polar end, are seen as too much. It creates a dynamic where we can’t win no matter what we do.

Challenging your internal likeability trap

How do you begin to escape your internal likeability trap? It begins with our overthinking certain interactions. Have you ever done or said something at work and then laid awake at night thinking about it? Ruminating on whether what you said made you look stupid, or incompetent, or whether people think you’re a bitch now? It starts with identifying that you’re overthinking. Like all of our negative internal dialogue, it starts with catching yourself in the act.

Menendez recommends reminding yourself that it’s all perception. Speak it out loud, then it’s out there and it’s over. If you keep to yourself it festers and continues to roll around in your brain. You have to acknowledge the act in a non-judgmental way, acknowledge it’s not real life, and let it go.

For those of us with intersectional identities, it also means showing up authentically. You don’t have to share your entire self but you should feel comfortable being yourself. It takes so much energy to constantly omit or filter parts of yourself when you could be using that energy to further your personal and professional growth.

How to combat the likeability trap at work

In addition to working on your internal challenges with likeability, you should also be cognizant of external likeability biases. What do you do if you’re facing a problem at work that you feel is being driven by someone who simply doesn’t like you?

  • Push for concrete feedback – If you receive criticism that dramatically conflicts with what you know to be true, ask the person for a reference point. For example, if your boss tells you you’re too aggressive, ask them compared to whom? Ask them to point out a person that you should be modelling. It causes the person to pause and consider whether or not they’re being guided by bias/subjectivity or an objective truth.
  • Ask them to connect the criticism to how it’s affecting your work – Force the person to explain what they perceive as your style and how that’s connected to the results. For example, if you’ve been told that you’re “too aggressive” can they point out specific incidence where this aggression affected real-world work? Say, “Can you connect the dots for me between how this is actually showing up in the work that I do?” Of course, when you do this, you have to be open to the possibility there’s indeed a connection.
  • Find your people – Do you have a circle of trust at work? Individuals that you can rely on as sounding boards to tell you whether the criticism you received might be true, or is completely off-base. These are folks who truly see you and understand your value and skills. These individuals are crucial to your success because they are the ones who hype you up, tell you when you’re wrong, and also tell you when someone is gaslighting you. Invaluable!
  • Know when it’s time to leave – If you find yourself constantly having to defend yourself or address somebody’s dislike of you, at some point you have to evaluate whether the job is a good fit at all. Women in particular can overstay their time at a company because they want to make it work. I’ve fallen into this trap myself. I’ve been in situations where I thought I could change the company culture and have spent years spinning my wheels for nothing. Never again. In the words of a wise man: You’ve got to know when to hold ’em. Know when to fold ’em. Know when to walk away. And know when to run.
  • Push back for each other – When you hear critical feedback about your co-workers, challenge the person’s viewpoint. For example, if a co-worker tells you another co-worker is “indecisive,” challenge their thinking on it. Are they indecisive or are they deliberate because they don’t want to make a careless decision? Is the person “emotional” or passionate? As Menendez puts it, we need to table-bang for other women and if you have the ability to put other women up for projects or promotions, you should!
  • Identify opportunities for leadership to make changes – One important thing that Menendez notes is that you can’t take the entire burden on yourself. Leadership needs to prioritize building a workplace where people feel comfortable showing up and being themselves. This can manifest itself in company policies and procedures. For example, the review-giving process. In a culture where likeability bias is a problem, getting a review from one person may not be as helpful or productive as getting multiple reviews from different team members. A 360 review process is a great way to combat likeability bias because you can see how your work is received across a spectrum of individuals.

I hope this post has been helpful! Below is the full podcast episode, which I highly recommend listening to. It’s great to know that others out there struggle with this notion and that there are ways to pull yourself out of the trap. Best of luck as you navigate the toxic workplace waters. Namaste!

FREE: Product Launch Writing Prompts

We’re at the half-point of the year, and if you’re a product manager, chances are that you’re in the grips of planning for your Q3 and Q4 launches. And if you’re building a product from the ground up, then you’ve probably got a ton of decisions to make! Everyone has their personal preferences for how to brainstorm. Some folks like to whiteboard, others like to use programs like Miro or Productboard, but for me personally, nothing beats the written word.

Freewriting opens up my brain, especially if I’m doing it with pen and paper. There are no rules, no expectations, no limitations, and no goals. Whenever I sit down to freewrite, it’s ritualistic, I have a special journal (I’m obsessed with Leuchtturm journals), my cup of tea, my favorite pen (I love the inkiness of the Pilot Varsity fountain pens) and nothing ahead of me but a blank page. I approach it as an opportunity to quiet the external influences in my life and commune with my higher self. It can feel like a transcendent experience; ideas just appear on the page and I didn’t even know I had them.

But how can you apply this to product planning? There are several directions you can take with it but my recommendation would be not to make so many rules for yourself. I like to start with just writing down my aspirations for the product, the dream vision. What I’ve found is that once I get past the zoomed out view, I start to zero in on more specific parts of the plan. I also don’t limit myself to a paragraph format! I outline, I make Venn diagrams, draw wireframes, and doodle! Ultimately, these notes are for myself and nobody will see them, so sometimes I even break out my colored pencils and clip magazine photos to collage. This is for you! So the more fun and creativity you can have with it, the better.

However, I know a blank sheet of paper can be intimidating or anxiety-inducing for some. And if you’re used to an environment where creativity and rule-breaking isn’t encouraged, you might even feel uncomfortable drawing out of the lines, so to speak. So I created a set of writing prompts for product managers to help with their product planning. These are some of the essential questions you’ll eventually need to be able to answer about your product, so you might as well start now! Guaranteed, once you’re done freewriting your responses to these questions, you’ll have a solid starting point. And if these questions just generate more questions, that’s OK too! By the time you’re done with the process, you’ll probably change, refine, and detail the answers time and time again. This is just a starting point, don’t overthink it!

I hope this gets your next product jumpstarted and gets your creative juices flowing. Drop me a line in the comments if you have your own writing prompts for boosting creativity. Best of luck on your product journeys. Namaste!

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Express Style Trial Review: Can you rent your wardrobe?

How much money do you spend on clothing every year? Would it be cheaper to rent your wardrobe instead? These are questions I asked myself once I started getting Instagram ads for the Express Style Trial clothing rental service, a subscription service that “gives members access to endless styles for one flat monthly fee.” Could this be the answer to my closet and empty wallet blues?

Express Style Trial has clothes for both men and women. The clothing options range from casual to workwear and evening looks. The way it works is once you sign up you get access to all the looks available to you. Once you browse and select your items, they’re saved in your virtual closet where you can prioritize the items you like most. Shipping is free both ways and you can keep the pieces as long as you want. You can also refresh your items with unlimited exchanges and all the dry cleaning is free. There are no commitments and you can cancel anytime. If you love an item you can opt to purchase it and keep it forever. Sounds dreamy, right?

Before I could try it, it needed to make economic sense to me, so I went back to examine my shopping habits. I don’t buy clothes every month. Instead, I tend to buy a batch of clothes at the beginning of Spring/Summer, and then again at the beginning of Fall/Winter. These sprees tend to be in the $200-$300 range. Throughout the year, I may buy the occasional t-shirt or dress for an event, but let’s call that less than $300 for the year. If you add up the max end of those numbers, this comes out to an average of $75 per month. At a cost of $59.95 per month, Express Style Trial comes in at a better deal. My interest was piqued, so I decided to sign up.

First Impressions

Once I registered and got access to the website, I was impressed with the overall look and feel of the website. It was easy to navigate, but once I started to do some power-shopping, there were some major limitations:

PROS

CONS

  • Large, beautiful photography
  • Size and color filter
  • Browse images on mouseover
  • Quick preview option
  • Category pages
  • No Petite, Tall, or Plus sizes
  • Too many basics, neutrals, and solid prints
  • No video
  • Limited sizing information
  • Limited reviews

In order for your first box to ship to you, you must add 8 items to your closet. This wasn’t entirely clear to me when I first started clicking around the website. I don’t know how I missed this vital piece of information but I didn’t know. I only added like 4 items at first because I couldn’t find items I liked in my size. I stepped away for several days and didn’t think about it, one day I was catching up on emails and saw something from Express saying that I needed to add more items to my closet in order for my box to ship. I went back and added items frantically, stuff I didn’t want really, just for the sake of getting the box shipped. But because of this initial mistake, it took my box almost three weeks from sign-up day to get to me. This is mostly my fault but Express could make it clearer to new users by adding more obvious triggers. I know there’s a coat hanger icon in the upper right-hand corner but this could be a more obvious queue, like a module in the right rail that clearly says “Two more items to ship your next box” in bright red font, or something.

My First Box

The clothes arrived in a cardboard box wrapped in tissue paper and accompanied by its return bag with prepaid postage. My first impressions of the clothes were that they smelled like cardboard. This was unfortunate, and I didn’t want to risk washing the clothes myself, so I just had to wear them that way. Another thing, depending on the material of the items you’ve requested, some will arrive extremely wrinkled. This means you’ll have to at least steam or iron the outfits for them to be wearable out. If you’re curious about body odor, or remnants from previous wearers, I’m happy to report this wasn’t an issue. It’s also worth noting that my items didn’t come in one box, they came in two shipments. Not a big deal but it’s disappointing if you’re expecting a specific item and it’s not in that first box.

The clothes themselves are what you would expect from Express. The quality is on par with what you’d find at the retail stores. One thing I noted, the styles that are a part of the Express Style Trial aren’t necessarily the brand new clothes that Express promotes in their newsletters and website. At least, you don’t get those styles right away. Who’s to say you don’t get those styles later down the line, but this is disappointing. I would see certain items getting promoted and I would actively look for them on the Style Trial site, but they weren’t there. It seems like an extremely limited part of the catalog, and it’s unclear how they decide what goes into Style Trial and what doesn’t.

Unfortunately, I also had a challenge with finding the right fit. I followed the guidance of the size charts and two out of the three items were too large. The jumpsuit (below) is the only item that fit decently, but even that wasn’t a home run. As a short person, jumpsuits in general are very hit or miss for me. This one was cute overall but it did cinch at the waist in an odd spot. The dress did not fit at all, it was too loose, too long, and also cinched in a weird spot. The joggers were giant and felt like MC Hammer pants. Maybe that’s the aesthetic and I’m just too old to appreciate it? Very possible. Either way, I couldn’t see myself wearing any of these outfits out in the wild, so I took my loss, returned everything immediately, and ordered a new box.

My Second Box

Once I knew about the minimum number of items in the closet, I was quick to replenish these so that I could get my second box quicker. From dropping off box #1 at the post office, to getting box #2, it took about a week, which isn’t bad at all. Once again, the shipment didn’t come as one box but as two boxes. So I got two items in one box on Sunday, and then my third item in another box on Monday. Not a huge deal but, again, kinda annoying if you’re planning to wear these clothes for a specific event. You can’t bank on it arriving when you expect it to. This also creates excess cardboard waste.

I was planning on doing another America’s Next Top Model photoshoot with these clothes on, but I’m sitting here recovering from the side effects of the second COVID-19 vaccine, so you’re getting clothes on a hanger instead. 😂 Although I did try all the outfits on and the fits were abysmal. That romper was made for someone with a long torso or tall shoulders. The straps are unadjustable too, which makes it completely unwearable for me. The blouse fit fine and made a nice work shirt for a day but I probably wouldn’t wear it more than once, it was a little boring. The skater dress was too large and, once again, is cinched in a really weird part of my torso. I realize that this is a personal problem.

At the same time, the difficulty in finding an accurate size impacted my enjoyment of the service. I found that, overall, the sizes tend to run large, but most people won’t know this when they’re ordering their first few boxes. Yes, there are size charts on all the clothing pages but the measurements seem wildly inaccurate to me. The romper and the dress are both S and I was swimming in the clothing.

This is the size chart for the romper pictured above. I thought I was running a risk getting the small because the bust size seemed very small for me, but knowing my first box ran large, I ordered the small anyway. When I tried it on, the romper was still giant on me! But I would never think to order an XS or XXS with the sizes listed here.

The Return

With every box, you have the option of buying the clothes and keeping them forever. Once again, I decided to return everything because nothing fit well. I snapped a screenshot of the prices because they seem to fluctuate (daily? weekly?) because when I checked these prices a few days ago they were different.

It’s unclear what decides this pricing. It feels like Express is experimenting here to see what consumers are willing to pay for used clothes. Some of the prices are reasonable. For example, the romper below would’ve cost $8.50 if I wanted to keep it. That’s a great deal! It was of good quality and was still in excellent condition. But $74 for a jersey dress I could get a Forever 21 for $20? NOPE! Interesting stuff.

The return process itself is free and easy. You log into your online account and select the “Return Item” option. You’ll get a few questions about your return and then all you have to do is mail it in. The clothes come packed with a bag with the pre-paid postage already affixed. All you have to do is pack up your clothes and drop them off at the USPS. Easy stuff!

The third box

I was excited about my third box because I was finally getting a couple of items from my “Priorities” list. Once again, I was left with mixed emotions. I was happy with one of the items; the sand-colored sweatshirt was the only thing that truly fit. I was eagerly awaiting the gorgeous satin green midi skirt, but because I was forced to select an XS (my size wasn’t available) it was too tight around the waist and belly. The romper was not flattering, perhaps it was made for a taller person with a very long torso, not me. At this stage, I’d seen enough, and I wasn’t willing to continue the membership hoping the next shipment would be better, I was ready to make a final decision.

In Conclusion

In the end, I decided to cancel the Express Style Trial subscription. It was difficult to find the right fit and without the ability to guarantee priority items, it makes it difficult to plan. To me, that’s the biggest flaw of this service: if I can’t properly fit it into my lifestyle and behavior there’s no hope for long-term adoption. An alternative to the current model might be offering a slightly higher subscription option when you can have more items out at a time, and you can keep them all month and return them back together at the end of the month. This way, you know what you’re getting, you can plan to wear the clothes, and you’re not constantly hunting for new clothes to add to the next box.

I’d like to emphasize that the service isn’t bad. I’m sure there are some people out there that don’t have a problem with the fits or the coming and going of boxes. I could see this being a great option for an influencer or on-camera talent that need to have constantly rotating outfits. The service is also available for men’s clothing and I wonder if they would have more luck with them. I could see some hopeless boyfriend handing over the keys of the account to his girlfriend. Every week he just wears what comes in the box 😆. Another thought is whether marketing the subscription as a gift would get Express farther. I could see a cute Grandma buying a subscription for her granddaughter that just graduated college. I could see this service working for a ton of people, it just wasn’t for me.

There are a couple of refinements that could be made to the service to improve it. Express should consider how other online brands such as ASOS are handling sizing. What I love about ASOS is that they keep track of clothes you buy and return, and they ask you about the sizing so that later they can recommend the perfect size for you. It’s pretty accurate, in the past I’ve ordered from ASOS and trusted them on their recommendation even if I thought I should order a different size, and it’s worked splendidly. I won’t pretend to understand all the mechanics of how they do it, but it’s impressive and works well. ASOS also has videos for a large amount of inventory which can make the difference between buying something and just closing your browser.

Express should also consider shipping their clothes in the return bag and eliminating the cardboard box. This would not only eliminate waste but it would also solve the issue of clothes smelling like cardboard. ASOS has gone a step beyond and they use recycled materials for their bags and the have a sustainability mission to decrease their carbon footprint and recycle more bags.

When it came time to cancel, Express replied promptly and honored my request. You hear so many nightmare stories of people having trouble canceling these sorts of things, but I’m happy to report this wasn’t one of them. Unfortunately, there is no way to cancel your account on the website, you’ll need to call or email them. When I emailed them, I received an email from a customer service representative the next day. I appreciate that they offered me 20% off my next 2 months for staying, but I declined it. They also told me I could pause my account for $5+tax per month and that would allow me to keep the items in my position. They confirmed my final cancellation within another day.

Overall, it was a good experience, the clothes just weren’t for me, but you should give it a try if you’re so inclined!

Pony-O Hair Products and Simple Pleasures

Amidst a pandemic, stuck at home, we’ve all had to get by on simple pleasures. Many of you have been indulging in your hobbies…I’ve been playing with my hair.

It all started when the Pony-O made its way into my Instagram feed. The Pony-O is a hair tie/scrunchie substitute made of a copper bar covered in silicon that’s supposed to be just as secure without the tugging. The product piqued my interest, but I didn’t feel compelled to buy anything.

Well, I must’ve ended up on someone’s re-marketing list because everywhere I went, the perky Pony-O girl followed me around with her equally perky ponytail. I reached a point where I couldn’t deal with the fact that I was missing out on the perfect ponytail so I bought a standard black Pony-O and a Bun Bar (another product to make an equally perfect bun).

I waited with great anticipation for my package to arrive. When the products finally arrived, I remember trying them immediately and feeling that they were only OK. I put them in the bathroom drawer where all hair accessories go to die, and I forgot about them.

That would be the end of the story had it not been for the Pony-O company’s persistence. After my purchase, they kept sending me newsletters with helpful tips. Their feed on Instagram continued to offer hair-do ideas and different ways of using their products. They refused to give up on me!

Then reader, something amazing happened. I started trying out the tips, and I got better outcomes. This made me want to try more hairstyles, which made me more proficient with the products.

Not only that, but the simple act of experimenting with my hair brought simple joy to what ended up being such a monotonous year, overall.

About Pony-O

The Pony-O is the invention of Nicol Harvie, an inventor patenting hair accessories for over 30 years. As she notes in this video, she realized that most of the hair accessories we wear on a day-to-day basis were invented in the 1800s by men. She wanted something that wasn’t painful and better fit the needs of women.

Pony-O is driven by innovation. When I bought from them at the beginning of the pandemic, they only had one size option. By the end of the year, they had introduced a skinnier 2.0 version and a larger XL version. They had also launched different colors, prints, and “bling.”

Their content followed me along all year until I broke down and ordered AGAIN in December to take advantage of their holiday specials.

Besides the different sizes to accommodate different hair types, I think this company stays winning because they show you how to use their products. The livestreams are cool because followers can ask questions to have the model demonstrate the answers in real-time.

Pony-O even did their part during the height of COVID-19 by giving frontline medical workers a way to wear their masks.

The cool thing about Pony-O products is that you don’t have to be particularly skilled at doing hair. They’re easy to use and they give you a polished look regardless. The key to using the Pony-O is to not think of it as a hair tie, it’s a completely different hair accessory.

For a high ponytail, the Pony-O XL (Coral pictured) works best with my wavy hair.
This rose gold metallic Pony-O is my favorite of the bunch.
A perfect bun every time with the Bun Bar!

I’ll definitely put all these to good use if it’s ever safe to leave the house again.

GRIEF VIGILANTES Screening at Film Invasion L.A.

Founded by longtime residents and movie veterans alike, Film Invasion Los Angeles looks to showcase the best undiscovered movies in the heart of Los Angeles. As a 2020 selection, our short film Grief Vigilantes will be screening as part of their Comedy Spotlight!

THREE SHORT FILMS: HOW TO SAVE A MARRIAGE, GRIEF VIGILANTES, & FIRST STATES. Please note that you have the OPTION to give a $5 or $10 gift in order to watch as many livestreams as you like. There are still many costs associated with running the festival, but because people will be watching at home during a global pandemic we made paying for tickets optional this year.

  • Length: 90 minutes
  • Unrated
  • How To Save A Marriage 0:08:30
    Grief Vigilantes 0:08:34
    First States 0:17:09

    How To Save A Marriage
    A “Cosmo Quiz” becomes a painful walk down memory lane. Honesty is the hallmark of a good relationship…just not that kind of honesty.
    Director(s): Eric Foss
    Writer(s): Eric Foss
    Producer(s): Eric Foss
    Starring: Chris Mollica, Catherine Mersereau

    Grief Vigilantes
    When a girl dealing with a tragedy suddenly contends with a terrible boss she bands together with her grief group and makes the unwise decision to kidnap her manager.
    Director(s): Aysha Wax
    Writer(s): Aysha Wax
    Producer(s): Elba Flamenco, Casey Graf, Aysha Wax
    Cast: Dione Kuraoka, Denisse Ojeda, Kaitlyn Tanimoto, Sofia Gonzalez, Jana Savage, Richard Riehle

    First States
    A disgraced Congressman fakes his own death to escape trial and start over fresh down his chosen new path outside of society. It’s never a clean break, as the powers that be have different plans for him.
    Director(s): Bond Richards
    Writer(s): Bond Richards
    Producer(s): Eli Swenson
    Cast: Christian Klein, Quinton Clarke, Eli Swenson

Review of the Los Angeles Times Digital Subscription and App

The Los Angeles Times has a limited-time offer for unlimited digital access across web, tablet, and mobile, for just $1 for 4 weeks. After that, you’re billed $4 per week, billed every 4 weeks ($16 a month), and you can cancel anytime. As a millennial, the thought of paying for news was foreign to me. Even though I grew up in the era of print newspapers and magazines, when the internet arrived, it seemed ridiculous to pay for news when it was abundantly available for free everywhere!

Flash forward to 2020: a pandemic is sweeping the globe, our president is telling us to consume bleach, the economy’s shit, and natural disasters are wreaking havoc all over the world. Everything’s on fire, basically. Unfortunately, these conditions have made fake news ripe for consuming and spreading, especially on platforms like Facebook and YouTube. It became increasingly hard for me to find accurate information, and I got tired of hitting paywalls on the sources I DID trust, so I decided to put my money where my mouth is and subscribe to the L.A. Times, a paper I’ve grown up with my entire life, as someone born and raised in Los Angeles, and it feels like home.

After spending a few weeks playing around with the app, I think I have a good grasp on the functionality and value it delivers. So here’s a breakdown of the features, some commentary on what I loved most, as well as feedback (from the perspective of someone in media who works on apps) on what would add even more value to subscribers. For those who want to know, I’m using a Samsung Galaxy S7 edge and I’m running Android 8.0.0 and Samsung Experience version 9.0.

Overview

The app is broken up into four major navigational sections:

  • Homepage Feed
  • eNewspaper (a digitized version of the print newspaper)
  • Media (a collection of videos and podcasts)
  • My library (saved and recently viewed articles)

Homepage Feed

The homepage feed includes a collection of top news however, the criteria for what is considered “top news” is unclear to me. I’m assuming it’s their most viewed or most engaged with stories of the day? Either way, most of the reading I do is directly from that homepage feed so those stories do tend to be the most relevant and engaging reporting available at the current moment.

eNewspaper

This sounds like exactly what it is, an eNewspaper! But this is more than a scanned version of the print paper, it’s completely clickable and customizable to each reader’s preferences. This format allows you to flip the pages of the paper which gives you a different scrolling experience that’s equivalent to sitting back and flipping through the newspaper. I’m still old enough to remember the joys of getting lost in the paper. Admiring the beautiful photography, discovering the buried stories, jumping from story to unrelated story. Except in this experience, when you click on a story it brings up an easy-to read version of the story that allows you to change the language, adjust the font size, and highlight text to copy, eliminating the need to pinch to zoom as you squint to read the writing.

The value and experience is further enhanced with the addition of games and comics. Games include Sudoku, solitaire, and word games, but the shining jewel in this crown is the daily crossword. Oh, how I miss filling out the daily crossword in the print paper! I never got great at doing crosswords but I loved trying. This version has everything you need for a good time, including customizable clues, the ability to play with friends, error check, and a deep archive to play with! The comics are cool because you can read them in the newspaper format, or click on them for an easy-to-read hi-res version. Hands down, the enewspaper is one of the most unique and best parts of the L.A. Times app.

There’s also a cool archives feature that dates back 130+ years and includes other newspapers. Unfortunately, it seems like you have to have a separate subscription to access this section. It’s too bad because making this a part of the subscription would definitely add value and attract a broader range of potential subscribers such as teachers, historians, researchers, and other individuals interested in news archives. I’ve contacted the L.A. Times directly to ask about this since it’s unclear if the lack of access is due to a bug or really requires another subscription.

Media

This is the section I’ve probably spent the least amount of time in. Not because the L.A. Times doesn’t make good video/audio content, but because I tend to consume that type of content at other times and on other platforms. If I’m opening up the L.A. Times app, it’s because I’m in the mood to read, not watch/listen to content. And when someone DOES share L.A. Times video on social media, they’re YouTube links, so I go consume the content there. Even the videos in the app appear to be YouTube embeds.

Same with the podcasts, I was a huge Dirty John fan, but I didn’t listen to this podcast on the L.A. Times app because it’s on Spotify, which is my go-to subscription for all things music and podcasts. It’s highly unlikely I would listen to a podcast from within the L.A. Times app unless it was EXCLUSIVE to the app. But I know that, in today’s media landscape, you have to spread your content across all monetizable platforms to get as much revenue out of it, so I get it.

Coronavirus Relief Funds for Individual Artists/Creatives

For the past couple of months, I’ve been doing a ton of research on art advocacy as part of my participation in NALAC’s Advocacy Leadership Institute and I’ve found a lot of great resources for artists. In particular, our biggest challenge right now is dealing with the effects of the Coronavirus pandemic and mitigating the impact on already struggling communities. The good news is that philanthropic organizations have stepped up to provide relief funds and assistance to those in need, however it might be difficult to find this information, so I’ve curated a list of relief fund programs for individual artists, and I’ve grouped them thematically.

I’ll continue to add to this page as I find resources, however, I won’t have the bandwidth to remove opportunities as they expire. If you come across an opportunity that’s expired, please leave a comment at the bottom of this post so that I can remove it. I’ll also be updating this Twitter thread, if that’s easier to keep track of for you. THANK YOU AND I HOPE THIS HELPS! 💕


General Relief Funds for Artists

  • Artist Relief. Artist Relief will distribute $5,000 grants to US-based artists facing dire financial emergencies due to COVID-19; serve as an ongoing informational resource; and co-launch the COVID-19 Impact Survey for Artists and Creative Workers, designed by Americans for the Arts, to better identify and address the needs of artists.
  • Artly World launched the Artist Relief Project supporting artist with $200 grants
  • Forecast has launched a national initiative to support public artists and public art programs during this pandemic.
  • Foundation for Contemporary Arts has a relief fund for artists who incur unexpected or unbudgeted expenses for projects close to completion with committed exhibition or performance dates
  • The Opportunity Agenda. Creative Change – COVID 19 Emergency Assistance Stipends for Artists & Cultural Strategists provides emergency assistance stipends of $1,000 for US-based artists and cultural strategists pursuing social justice objectives through their work. Members of The Opportunity Agenda’s Creative Change Network as well as others who meet the criteria are encouraged to apply. Stipends may be used exclusively to support recipients facing financial hardship whose work in their respective arts and/or social justice field(s)has been significantly disrupted, reduced, delayed, or lost due to COVID-19. This is a limited time opportunity and stipends must be used by July 31st, 2020.
  • Rauschenberg announced an Medical Emergency grant program for artists.
  • 4Culture will begin accepting applications for the Cultural Relief Fund April 1 through May 15.
  • CERF+ – CERF+ Emergency Assistance – Supporting intensive care, focused on those infected with the COVID-19 that require intensive medical care.

Relief Funds for Female Artists

Relief Funds for BIPOC Artists

  • Arts Administrators of Color Network launched a relief fund to support BIPOC artists and administrators.
  • This is not Coronavirus-specific but Firelight invites filmmakers from racially and ethnically underrepresented communities in the United States, Mexico, Brazil, Puerto Rico, and Colombia, with particular interest in those who identify as indigenous and/or of African descent, to apply for the inaugural William Greaves Fund. This is a new dedicated fund to resource 5-7 talented storytellers per year. The size of grants will range up to $25k each to support research and development on a feature-length nonfiction film. The application opens March 12, 2020 with an anticipated announcement and disbursement in July 2020.

Relief Funds for Actors

  • Actors Fund emergency financial assistance program helps eligible applicants in need. It is not income replacement, but limited funds for basic living necessities. The Actors Fund is also administering COVID19 Assistance programs for performing arts and entertainment unions including SAG-AFTRA, IATSE, Actors Equity Association, American Guild of Musical Artists and Musicians Local 802. Additionally, The Fund is administering the Jujamcyn Theatre Assistance Program
  • Denver Actors Fund launches $35,000 emergency relief fund for theatre artists

Relief Funds for Musicians

  • MusiCares – Short-term financial assistance for musicians’ personal needs that have arisen due to unforeseen circumstances.
  • Musicians Foundation – Financial assistance to professionals in the music industry.
  • Jazz Road Quick Assist Fund – $1,000 grants available for freelance jazz musicians impacted by COVID-19 to offset lost income due to cancelled events in March, April, and May 2020.

Relief Funds for Visual Artists

  • The Adolph & Esther Gottlieb Emergency Grant is for painters, printmakers and sculptors

Relief Funds for Writers

  • PEN America. PEN America is expanding its long-standing Writers’ Emergency Fund as part of our efforts to support the literary community at a time when the health and livelihoods of so many are at risk. PEN America will distribute grants of $500 to $1,000 based on applications that demonstrate an inability to meet an acute financial need, especially one resulting from the impact of the COVID-19 outbreak. We have developed a new streamlined process for the duration of this crisis, and expect to be able to review and respond to applications within 14 days. To be eligible, applicants must be based in the United States, be a professional writer, and be able to demonstrate that this one-time grant will be meaningful in helping them to address an emergency situation. The fund is limited, and not every application can be supported.
  • Dramatists Guild Foundation launches relief fund supporting individual playwrights, composers, lyricists, and bookwriters.
  • Author’s League Fund – Helps professional authors, journalists, poets, and dramatists who find themselves in financial need because of medical or health-related problems, temporary loss of income, or other misfortune.
  • The Arts Writers Grant Program was founded in 2006 to recognize the precarious situation of arts writers, and their indispensable contribution to a vital artistic culture. As the COVID-19 outbreak further threatens the cultural and arts writing landscape, the Arts Writers Grant Program is grateful for the Andy Warhol Foundation’s continued support. The grant supports both emerging and established writers who are writing about contemporary visual art. Ranging from $15,000 to $50,000 in three categories—articles, books, and short-form writing—these grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies.

State or Region-specific Relief Funds for Artists

  • Baltimore Office of Promotion & The Arts. The Baltimore Artist Emergency Relief Fund is a coalition-led initiative designed to provide direct assistance to Baltimore-based artists and creative entrepreneurs who have lost income due to the COVID-19 crisis. The fund offers emergency grants of $500 to Baltimore City creatives who are experiencing financial strife as a result of the COVID-19 crisis.
  • Theatre Bay Area has set up the COVID-19 Performing Arts Worker Relief Fund.
  • UNTITLED, ART announces the UNTITLED, ART Emergency Fund, in collaboration with &Art& serving artists in the Bay Area. 
  • Boston launched an artist relief fund.
  • Arts Foundation of Cape Cod: The AFCC’s Cape Cod Arts Relief Fund will provide the first $10,000 to meet what we know is a much greater need. Focused on lost income, the Cape Cod Arts Relief Fund will provide one-time relief in the form of grants up to $500 to artists who live, work, create, and/or perform on Cape Cod. 
  • The Arts Community Alliance (Dallas, TX). The TACA Emergency Arts Relief Fund is a resource dedicated to provide short-term immediate relief to Dallas County nonprofit arts organizations who have experienced lost revenue or increased expenses due to Coronavirus/COVID-19 precautionary measures. Eligible organizations can receive awards of up to $10,000.
  • Denver Actors Fund launches $35,000 emergency relief fund for theatre artists
  • CultureLA established an arts emergency relief fund
  • Houston Arts Alliance. The Artist and Arts Worker Relief Fund will provide Houston area artists and arts workers (arts nonprofit employees, gallerists, etc.) that have lost income and basic life securities as a result of COVID-19 grants up to $1,000 will be available and serve as a bridge to public assistance options. 
  • Max’s Kansas City Project has emergency grants for New Yorkers in the creative arts
  • The DeVos Institute of Arts Management at the University of Maryland will offer pro bono consultations to any U.S.-based non-profit arts or culture organization between March and June 2020, as a response to the mounting effects of the Coronavirus pandemic.
  • Frederick Arts Council (Maryland) launched a GoFundMe campaign for relief funding.
  • Michigan Music Alliance’s Michigan Artist Relief Fund (in collaboration with Walk the Beat–a music nonprofit regularly raising funds to get musical instruments in kids’ hands)
  • ArtsMemphis has established an Artist Emergency Fund to help self-employed artists of all arts disciplines (visual art, literary arts, film, dance, music, theater) and artists employed/contracted by nonprofit arts and culture organizations in Shelby County recover from lost income due to the cancellation of scheduled gigs or opportunities (such as a commission, performance, contract, etc.), or due to layoff or furlough due to COVID-19 precautionary measures. Artists may request up to $500 to compensate for work that was scheduled or contracted and cancelled or lost.
  • Oolite Arts (Miami, FL) launched a relief fund offering $500 grants for artists that have lost income.
  • NC Artist Fund Relief Fund: a collaboration between Artspace, PineCone, United Arts Council and VAE Raleigh
  • Greater Columbus Arts Council (Columbus, OH) announced a relief grant for artists.
  • Regional Arts & Culture Council (Portland, OR). RACC’s Emergency Fund for Individual Artists supports creative professionals who have experienced a financial loss due to the COVID-19 pandemic. The fund is open to artists at all levels of their careers, in a broad variety of disciplines. Applicants will be asked to submit evidence of their artistic practice, household income, and financial loss in the application. RACC will make awards up to $500 in order to support as many individual artists as possible, prioritizing those without access to other COVID-19 relief funds. 
  • New Haven Creates Relief Fund is a partnership between the City of New Haven’s Department of Cultural Affairs and the Arts Council of Greater New Haven providing up to $1,000 based on their financial situation, with a priority for low-income individuals and small-budget arts organizations.
  • The Village Arts and Humanities (Philadelphia, PA). The Emergency Gap Fund for Philly’s Black Working Artists is a fund that disburses one-time grants of $500 to help Black working artists residing in Philadelphia stay stable and safe while weathering the impact of the COVID-19 crisis.
  • Greater Pittsburgh Arts Council (Pennsylvania) launches a relief fund for artists in Allegheny, Beaver, Butler, Washington, Lawrence, Indiana, Greene, Fayette, Washington, and Westmoreland counties.
  • Puerto Rico’s “Instituto de Cultura Puertorriqueña” has put together a resource guide by art discipline.
  • Rhode Island State Council on the Arts. COVID-19 Artist Relief Fund Established for Rhode Island provides grants of up to $1,000 available to artists who have lost income due to the health crisis. The Rhode Island State Council on the Arts (RISCA), in cooperation with the Rhode Island Foundation and the City of Providence Department of Art, Culture + Tourism, is launching a fund to help Rhode Island artists who have lost income due to the COVID-19 pandemic. Applications can be submitted at any time and awards will be made on a weekly basis until funds are exhausted.
  • Center for Cultural Innovation launched the SF Arts and Artists Relief Fund made possible by the direction of Mayor London Breed, SFAC, and GFTA with the City and County of San Francisco allocating $1.5 million to this grantmaking relief effort.
  • Ijeoma Oluo on behalf of LANGSTON Seattle  has started a GoFundMe campaign to support artists in Seattle affected.
  • Spokane Arts launched a relief fund for individual artists
  • The Regional Arts Commission of St. Louis Artist Relief Fund will award grants of $500 or $1,000 to working artists who live in St. Louis City or St. Louis County whose immediate creative practices and incomes are being adversely impacted by the COVID-19 crisis.
  • Arts Foundation for Tucson and Southern Arizona. The Arts Foundation for Tucson and Southern Arizona is providing the Pivot Grant to fund artistic projects or programming which have been adapted to alternative methods of sharing (i.e. virtual, digital, socially distant) in response to the ongoing health crisis. Granted awards will range from $500 – $1,000 for individual artists or $1,000 – $2,500 for non-profit (501c3) arts organizations. Submissions may include new, currently in-progress or on-going projects and programming. The Pivot Grant may be used to cover costs associated with these projects or programs, which can include, but is not limited to, staff wages, artist fees, technology, and material costs.
  • The Worcester Creative Relief Fund will award grants in the amount of $500 to artists who live or work in Worcester and have had their creative practices and incomes adversely impacted by COVID-19. The Fund is designed to support Worcester artists of all types (visual, performing, design, etc.) who have been financially impacted by event/gig cancellations, the inability to exhibit their work/book shows, and/or have lost revenue from their day jobs being eliminated due to COVID-19.

Miscellaneous Resources

A list of other free help or support resources that you can use to get through this.

Sources

A majority of this information has been taken from Americans for the Arts but also includes resources from a variety of reputable arts organizations like the California Arts Council.

If you’re an artist or creative worker whose been affected by Coronavirus, consider filling out the COVID-19 Impact Survey for Artists and Creative Workers administered by Americans for the Arts. The survey is designed  is designed to capture financial and creative impact of COVID-19 on creative workers, highlight the resiliency and generosity of the creative sector, and make sure that the 5 million creative workers in the U.S. are supported and heard during this ongoing crisis and the eventual recovery.

NALAC Advocacy Leadership Institute – 2020 Fellow

Excellent news, I’ve been selected as a 2020 fellow for the NALAC Advocacy Leadership Institute! Through the program, participants are equipped with necessary tools to communicate effectively with elected officials, lead proactive efforts in their own communities, and understand the frameworks involved in shaping cultural policy.

The yearly NALAC Advocacy Leadership Institute (ALI) is a three-day intensive training program in Washington, D.C. with sessions taking place on Capitol Hill, the National Endowment of the Arts, Americans for the Arts and various Smithsonian institutions. Unfortunately, this year COVID-19 arrived and spoiled the party, but our advocacy continues undeterred.

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